Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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Carlo Crivelli Annunciation with Saint Emidius oil painting


Annunciation with Saint Emidius
1486 National Gallery, London
Painting ID::  669 		Carlo Crivelli
Annunciation with Saint Emidius
1486 National Gallery, London
   
   
     
Carlo Crivelli Lamentation over the Dead Christ oil painting


Lamentation over the Dead Christ
1485 Museum of Fine Arts, Boston
Painting ID::  670 		Carlo Crivelli
Lamentation over the Dead Christ
1485 Museum of Fine Arts, Boston
   
   
     
Carlo Crivelli Madonna and Child Enthroned with a Donor oil painting


Madonna and Child Enthroned with a Donor
1470 National Gallery of Art, Washington DC
Painting ID::  671 		Carlo Crivelli
Madonna and Child Enthroned with a Donor
1470 National Gallery of Art, Washington DC
   
   
     
Carlo Crivelli St.James of Marche with Two Kneeling Donors oil painting


St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
Painting ID::  672 		Carlo Crivelli
St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
   
   
     
Carlo Crivelli St.Roch oil painting


St.Roch

Painting ID::  673 		Carlo Crivelli
St.Roch
   
   
     
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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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